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The original monaural soundtrack was remastered from the 35mm magnetic track.

"This new 4K digital master was created from the 35mm original camera negative, which was scanned in 4K 16-bit on a Lasergraphics Director film scanner. The following text appears inside the booklet that is provided with this Blu-ray release:

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Presented in its original aspect ratio of 1.85:1, encoded with MPEG-4 AVC and granted a 1080p transfer, Targets arrives on Blu-ray courtesy of Criterion. Targets was the iconic actor's final major film and there is not a shortage of material in it where it becomes painfully obvious that Bogdanovich does plenty to make his departure appear as striking as it could be. What makes it impossible to profile Targets as a classic Americana is the love and respect it shows to Karloff. Its highway footage, in particular, is unbearably realistic and perhaps even controversial because at times it almost looks like it came from a documentary feature but was carefully edited for optimal effect. It has the appearance and fearless attitude of a classic Americana, which is undoubtedly why it impressed a couple of the producers of Easy Rider (1969) and they reached out to Bogdanovich with an offer to do The Last Picture Show (1971). Before they meet, Targets spends an equal amount of time following both, revealing how they perceive their reality and misjudge it in several different ways.Įven though Bogdanovich worked with a small budget and quickly, Targets does not look like a film that would have emerged with Corman's blessing. Orlok's character is an even looser replica of Karloff. Thompson's character is a loose replica of Charles Whitman, a real mass murderer that climbed an observation tower at the University of Texas in Austin and unleashed hell with his long-range rifle. During a day of horrendous killings, fate brings the two characters together and they become aware of their existence. The second is Byron Orlok (Karloff), an aging actor who has made a career of playing very scary characters. The first is Bobby Thompson (Tim O'Kelly), a young man that falls into the abyss of madness and becomes a deranged mass murderer. The current version of Targets is essentially a witty character study of two very different monsters. (In the archival program that is mentioned earlier, Bogdanovich actually highlights some of the ways in which this material evolved). However, after Fuller's involvement, Bogdanovich reset his vision of Targets as well, so the material he went on to shoot was undoubtedly very different.

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(It is beyond naïve to think that after rewriting the screenplay Fuller did not have some expectations, plus Corman clearly wanted a proper film that can help him get his money back, so Bogdanovich obviously had to deliver - and he did).

If anything, it makes Bogdanovich's work as a first-time director appear more impressive because he had to meet the expectations of Corman and Fuller. The above information does not diminish the quality of the work Bogdanovich did during the production of Targets.

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(Samuel Michael Fuller was the great director's full name). Sometime after that, to honor Fuller, Bogdanovich decided to rename the character he played in Targets Sammy Michaels. When the grateful Bogdanovich offered to credit him for his invaluable work, Fuller refused. According to Bogdanovich, Fuller then redid the entire screenplay, ensuring that it can produce a terrific film - not just a coherent film, but a terrific film. It is when Bogdanovich reached out to Sam Fuller and asked him to look at the screenplay he had been working on.

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As a first-time director, Bogdanovich enthusiastically seized the opportunity, but soon after hit a wall because he could not figure out how to make a coherent film while following Corman's instructions. The deal was that Bogdanovich uses Boris Karloff in Targets and random footage from another film Corman had already made with the iconic actor called The Terror (1963). I am going to mention the two that were the most consequential ones.īogdanovich confirms that Targets happened because Roger Corman wanted to recoup a rather substantial investment and offered him a deal. There are several reasons why and in an archival program that is included on this release Bogdanovich mentions all of them. Region-A "locked".Īny credible discussion of Targets (1968) must disclose the fact that it is not the original film Peter Bogdanovich planned to direct. In English, with optional English SDH subtitles for the main feature. The supplemental features on the release include archival introduction by the director exclusive new program with Richard Linklater excerpts from an archival interview with Polly Platt and vintage trailer for the film. Peter Bogdanovich's "Targets" (1968) arrives on Blu-ray courtesy of Criterion.